Tag Archives: Dean Wesley Smith

“Tiffany” included in Kris Rusch’s Recommended Reading!

If you’ve been reading this blog for any time at all, you know about my intense admiration for Kristine Kathryn Rusch. I consider her the single best teacher I’ve ever had. The workshops run by her and Dean Wesley Smith have changed my life. She’s also one of my favorite writers. (And also a heckuva person, but that’s getting beyond the point.)

Imagine my euphoria when I read her June Recommended Reading list and found my short story “Tiffany Gets Her Boobs” included!  I wouldn’t be surprised if my cries of delight and amazement remained audible all the way from Massachusetts to Oregon.

I wrote “Tiffany” as part of a short story workshop with Kris and soon after, released it electronically under my pen name David Bawdy. Here’s what she had to say:

I thought, based on the title, that I would hate “Tiffany Gets Her Boobs.” But I had to read it: Dave wrote it for the short story workshop. The story’s an off-shoot of Bubba Goes For Broke, his novel, and that was the assignment: write a stand-alone story that works for people who haven’t read the other work.  Well, “Tiffany” works beautifully, and by the end of the story, I had fallen in love with this savvy, determined, and somewhat crazy woman.  Everyone who has read this story remembers it and likes it.  You will too.

Music to my ears!  You can read it for free here or on the NOOK or at Smashwords. Until Amazon lowers its price, it remains 99 cents for the Kindle.

Hope you like it! And if you do, check out Bubba Goes for Broke.

Surviving the Kris Rusch Death March

I’m writing this from gate D9 at the Portland, Oregon airport, waiting for my flight back to Boston after spending over a week on the Oregon Coast. I’m tired but very excited about my writing and what the future holds.

I was one of eighteen professional writers working with Kristine Kathryn Rusch (and at the tail end, Dean Wesley Smith) on short story writing. I affectionately renamed the workshop to The Kris Rusch Death March because she is (in my ever so humble opinion) two things: the best writing teacher on the planet and also the toughest.

First, a correction.

She refers to herself as a coach, not a teacher, which is an apt distinction. The point isn’t to attain perfection and get an A with a gold star on your paper while at a workshop. It’s to get the tools in your writer’s toolbox to help you consistently sell your fiction.

Think in terms of a bath tub filled with water. (This is Kris and Dean’s analogy, not mine.) Above a certain line is the “selling line” where a story sells to a professional market. A writer’s work isn’t a flat surface of water; it’s made of waves. With some stories (or novels), the wave rises above the selling line. With others, it’s below it.

As a writer adds more tools to her toolbox, she raises the level of the water so despite the swells and troughs — no writer produces the same quality story every time — more and more stories are above the selling line.

Sometimes the work required to achieve that feels like it’s the writer’s blood that is raising the water line. You have to leave your comfort zone and take chances. Perhaps you’re good at some technique that–to use one of Kris’s phrases–is like waving your hands and saying, “Look over here,” to distract the reader from that gaping hole in your story.

That hole is in story after story, whether you realize it or not, preventing you from consistently selling. Kris grabs you by the scruff of the neck and forces you to work on your shortcomings.

There were some very uncomfortable days for me during the workshop. I felt like I’d gone backwards and didn’t know up from down. My brain was spinning like Linda Blair’s head in The Exorcist.

But I’ve emerged from The Kris Rusch Death March with new tools in my writer’s toolbox, especially one I’ll call my new chisel. I’m convinced I’ve taken major steps to raising the water line in the bathtub. And no, even though I felt like I was in agony a couple of those days, the water in the tub isn’t pink.

I wrote four new stories as part of the workshop. One will be going up electronically within a day or two. Another will be going to a traditional magazine market. A third needs to be redrafted from about the two-thirds point. The fourth will be the launching pad for an exciting new fantasy world that I hadn’t even conceived of.

I completed numerous exercises, some of which could in one way or another become transmogrified into stories.

But the best part about the workshop isn’t the stories themselves.

It’s that shiny, sharp, new chisel in my toolbox.

2011 Workshops

I’ve mentioned before and will mention again how much I’ve learned at the great workshops offered by Kris Rusch and Dean Wesley Smith.

Here’s a schedule of the ones they’ll be offering in 2011.  I highly recommend them.

John Wooden and Writing

This is about writing, not sports.  Trust me.

Legendary basketball coach John Wooden died last Friday at the age of 99.  He left behind a number of quotes that transcend sports and I’d like to apply to writing.

Let’s have a look.

If you’re not making mistakes, then you’re not doing anything. I’m positive that a doer makes mistakes.

Many writers get frozen at the keyboard trying to write the perfect sentence and the perfect story.  They rewrite a manuscript over and over because they’re afraid of making the fatal mistake that will result in a rejection. 

Even worse, they might shove the manuscript in a drawer.  Note to writers: drawers don’t buy stories; drawers don’t buy novels.

Take a chance.  Write the story as best you can, then mail it.  Then write another and mail it.  If it comes back, mail it again.

No editor is going to come after you with a SIG Sauer just because your story sucks.

 Never mistake activity for achievement.

 This was my worst and most absurd failing when I first began writing.  I would go down to the basement for three hours of writing, but what did I accomplish in that time?  It’s only modest hyperbole to say that I’d spend an hour rewriting the same two or three paragraphs over and over, another hour bemoaning that I didn’t start writing as a teenager, and then the final hour writing my eventual Hugo Award acceptance speech.

Activity?  I was allegedly writing for three hours. 

Achievement?  Almost nothing.

Sit down and write new words of fiction.  Stay off the Internet.  Email, Facebook, and Twitter can wait.  So can research.

Achieve new words, then send them out.

Failure is not fatal, but failure to change might be.

Don’t make the same mistakes over and over.  Your weaknesses won’t go away by pretending they don’t exist.  Take a weakness and work on it.  Do focused practice, in the words of Dean Wesley Smith, a mentor of mine.

I’m working on setting right now.  I’m reviewing Jack Bickham’s book on the topic and as I write, that’s my one point of focus.

Consider yourself to be like a shark, always moving, always learning.

It’s what you learn after you know it all that counts.

Ditto what I just said after the previous quote.

Do not let what you cannot do interfere with what you can do.

Once you’ve mailed a story or a novel, there’s nothing more you can do.  Don’t obsess over its fate or query the editor after three months.  You can’t force an editor to buy it.

Write a new story or novel and mail it.

Then write another, each time working on your craft.

That’s what you can do.

Do it.

You can’t let praise or criticism get to you. It’s a weakness to get caught up in either one.

Don’t let praise make you think there’s nothing left to learn.  There is.

Don’t let criticism make you feel you can’t learn anything.  You can. 

Keep working.  Keep learning.

It’s the little details that are vital. Little things make big things happen.

This can apply to description.  An accumulation of relevant and specific details brings a setting or a person alive.

This quote can also apply to making small incremental improvements in area after area.  Characterization one month, dialogue another, and setting after that.  Little improvements add up to big improvements.

Success is never final, failure is never fatal. It’s courage that counts.

As another mentor of mine, Kris Rusch, says, it isn’t how many times you get knocked down that counts.  It’s how many times you get back up.

Failing to prepare is preparing to fail.

In the sports world, preparation involves practice.  Hours and hours of it.  And it if all other things are equal, the team or individual that works harder and smarter during that practice will win out.

Your work on improving your craft with new words is your preparation.

Success is not a destination, it’s a journey.

And you want to enjoy the journey.  You enjoy writing; don’t lose the joy.

I’ve used the word “work” a number of times in this post and for some that’s a turnoff.  A writer once said that she didn’t think of the word “discipline” in relation to her writing; she thought of “devotion.”

For some, the emotional reaction to “devotion” is far more positive than to “discipline.”

So be devoted to your writing.  Be devoted to your dream.

A writer friend has the following posted next to his computer: Go Play.

Writing is fun.  Enjoy the journey.  Go play.

Don’t Be a Knucklehead

If you’re a writer (or want to be one) and you’re not always trying to learn, then you’re a knucklehead.

If you’re a writer who’s trying to learn and you aren’t reading two key websites, then you either haven’t found them yet (I’m taking care of that for you now, thank you) or… you’re a knucklehead.

There are other places to learn that I’ll point you to in the future, but the two single best ones are the websites for Dean Wesley Smith and Kristine Kathryn Rusch

Dean’s series Killing the Sacred Cows of Publishing amounts to a Master’s Degree in the industry.  Sample his post on Talent and I suspect you’ll be hooked.

Kris has been posting installments of her Freelancer’s Survival Guide for over a year now.  I have learned so much from it.  I suspect the guide has helped launch and save many careers.  Sample her latest post on Giving Up.

As I’ve noted in a previous post, I also attend as many Kris and Dean workshops as I can because there are some topics that demand intense, in-person coverage.  But you don’t have to travel to the Oregon coast to learn from these two astounding teachers.  All it takes is your Internet browser.

Don’t be a knucklehead.

A WORKshop

Some writers’ workshops are thinly disguised vacations.  (I’ve avoided them.)

Then there are the Workshops run by Kris Rusch and Dean Wesley Smith.  They’re held out on the beautiful Oregon coast, but in most cases you don’t get much, if any, time to enjoy the pounding surf and other enticements.  You’re there to work on the craft you love.

A case in point is the Mystery Writing workshop I recently attended.  In seven and a half days, each participant wrote six novel proposals and two short stories while learning a ton about the genre itself and all the sub-genres.   Kris wrote the Smokey Dalton series under the pen name Kris Nelscott so she knows her stuff.  (You haven’t read any Smokey Dalton?   Go out and get yourself a copy of A Dangerous Road right now.) 

This year I’m making three trips to Oregon workshops because I learn so much from them.  If you’re serious about your writing, check them out.